Coleman Spilde

Email: [email protected]

Twitter: @colemanjspilde

Coleman Spilde is a senior staff culture writer and critic at Salon, specializing in film, television and music. He was previously a staff critic at The Daily Beast, and in addition to Salon, his work has appeared in Vulture, Slate, and his newsletter Top Shelf, Low Brow. He can be found at the movies.

Dakota Johnson isn't a bad actor, she just knows how to play the game Coleman Spilde

"The Life of Chuck" forces twee positivity in a time when we need it the least Coleman Spilde

Don't call it a rom-com: With wit and heart, "Materialists" transcends the tired form Coleman Spilde

"Oh, Mary!" star Cole Escola manifested their Tony win the old-fashioned way Coleman Spilde

"Party Girl" spoke its own language, and made Parker Posey fluent in cool Coleman Spilde

Bait and switch: The long hunt for a great shark movie Coleman Spilde

Callie Hernandez as Carrie in

In "Invention," conspiracy is the glue that holds a family together Coleman Spilde

With "The Phoenician Scheme," Wes Anderson perfects his product to cold, shiny results Coleman Spilde

In "Bring Her Back," Danny and Michael Philippou work through the horror of loving too much Coleman Spilde

Tom Cruise’s real “Mission: Impossible”: Save the movies, save the world Coleman Spilde

Various old television sets playing modern shows and movies

There's more film and television for you to watch than ever before — good luck finding it Coleman Spilde

15 years later, "Scary Island" still sets the standard for "Housewives" chaos Coleman Spilde

"Hurry Up Tomorrow" is The Weeknd's egomaniacal cinematic disaster Coleman Spilde

In "Overcompensating," millennial memory is made meaningful Coleman Spilde

Trump’s latest tariff agenda: Make movies crap again Coleman Spilde

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